1-philomel
(This drawing, published in Philomel Magazine in 1997, wasn’t included–though it could have been, with its themes of gay/interracial relationships and AIDS.)

Last Tuesday, January 27, I presented some of my visual art at the juried Arts & Social Change Showcase, a booking conference that is part of the Arts & Social Change Symposium, in Bellevue, Washington. I was one of nine featured visual artists, who ranged in style and subject matter. In addition, there were 14 live performances, ranging from Guinean dance to Taiko drumming, held in the same room—which kept things lively (and loud). The event was attended by arts professionals, bookers and funders, including members of 4Culture, Washington State Arts Commission and other organizations.

I was surprised to find that much of the featured visual art was created by “diverse” artists but did not necessarily have a clear social message. My pieces were some of the more pointed there—no surprise when you include a drawing of a petroleum conglomerate’s CEO ejaculating oil. Then again, the event was organized around the idea of social change, not social justice. (Further clarification of this kind of terminology can be found here.) So I understand that showcasing artists of different ethnic backgrounds helps inform the public and shift cultural perceptions, which can contribute to social change.

I showed the following pieces at the conference.

2_Hostage

Atrocities V, 2001
Compressed charcoal on newsprint
18 x 24 in

The drawing above is part of a series on the ravages of war (which can be found here on my website). This and the drawing below, of BP CEO Tony Hayward, were published in The Slog, the blog of Seattle’s weekly paper The Stranger. You can see Jen Graves’ original post here.

3_BP Wet Dream
BP Wet Dream
, 2010
Compressed charcoal on newsprint
18 x 24 in

The drawing that follows was published as the cover illustration of the Seattle Journal for Social Justice, an interdisciplinary journal that comes out of the Seattle University School of Law. It was a tribute to Robert Frank, whose unflinching outsider’s eye exposed the hypocrisies and existentialism of American life in the twentieth century.

 1_SJSJ cover

The United States of Inequality, 2010
Cover illustration for Seattle Journal for Social Justice, Fall/Winter 2010
Mixed media on paper
8.5 x 11 in

The next two drawings come from a conceptual collage series I created around racial politics and the minority experience. (You can find more here on my website.)

4_Infiltration

Slippage, 2012
Ink on canvas
10 x 8 in

During production, I poured Sumi ink through a slit in the protective plastic wrapping of a blank canvas to suggest the infiltration of the postcolonial “Other’s” perspective into a previously white canon.

5_Internment

Camp, 2012
Mixed media on bristol
14 x 17 in

Composed of shreds of black paper left on Scotch tape loops, Camp represents containment and internment, compromised identity, and the tenacity of survivors.

Overall, the work I showed at the Arts & Social Change Showcase elicited a positive response from viewers. It helped that the attendees and presenters were already thinking of how an aesthetic medium can be used to produce transformative social change. There are myriad ways to do it, and it will take me a lifetime to figure out the best, most generous way possible. But for now, I am taking one step at a time to get my work out there—both visual art and writings—to help effect some of these changes.

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